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	<title>Mark Power Blog</title>
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		<title>Farewell to the Mine</title>
		<link>http://markpowerblog.com/2012/01/17/farewell-to-the-mine/</link>
		<comments>http://markpowerblog.com/2012/01/17/farewell-to-the-mine/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 17:35:00 +0000</pubDate>
		<dc:creator>Mark Power</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://markpowerblog.com/?p=1515</guid>
		<description><![CDATA[Yes, the mine is moving on to a new home at Tumblr. And a new name, SIMULACRA. I tried to move the Mine to its new location but I discovered a hip-hop gentleman had gotten there first. Hence the new name to symbolize a new beginning. So I gave the miners their notice and they [...]]]></description>
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		<title>Reconstructions</title>
		<link>http://markpowerblog.com/2011/01/17/reconstructions/</link>
		<comments>http://markpowerblog.com/2011/01/17/reconstructions/#comments</comments>
		<pubDate>Mon, 17 Jan 2011 16:39:58 +0000</pubDate>
		<dc:creator>Mark Power</dc:creator>
				<category><![CDATA[On Photography ...]]></category>
		<category><![CDATA[Casasola archive]]></category>
		<category><![CDATA[reconstructed crime scenes]]></category>
		<category><![CDATA[Tina Modotti]]></category>

		<guid isPermaLink="false">http://markpowerblog.com/?p=1445</guid>
		<description><![CDATA[As a preamble to their performances, traditional storytellers in Majorca would say, “It was and it was not so.” David Shields, Reality Hunger I guess I started to think about the reconstructed photograph when I first saw Sally Mann’s lovely yet disturbing photographs of her children in the now classic book, Immediate Family. She unabashedly [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<title>Dandelion Ideas</title>
		<link>http://markpowerblog.com/2011/01/10/dandelion-ideas/</link>
		<comments>http://markpowerblog.com/2011/01/10/dandelion-ideas/#comments</comments>
		<pubDate>Mon, 10 Jan 2011 22:17:12 +0000</pubDate>
		<dc:creator>Mark Power</dc:creator>
				<category><![CDATA[On Photography ...]]></category>
		<category><![CDATA[Andre Kertesz]]></category>
		<category><![CDATA[Conway Twitty]]></category>
		<category><![CDATA[Edward Weston]]></category>
		<category><![CDATA[Gustave Corbet]]></category>
		<category><![CDATA[John Stanmeyer]]></category>
		<category><![CDATA[jon Haddock]]></category>
		<category><![CDATA[plagiarism]]></category>
		<category><![CDATA[Rachael Sudlow]]></category>
		<category><![CDATA[Ted Hawkins]]></category>
		<category><![CDATA[Webb Pierce]]></category>

		<guid isPermaLink="false">http://markpowerblog.com/?p=1406</guid>
		<description><![CDATA[In a post last year, plagiarism was the topic, citing the example of Steve Burdeny whose photographs had more than a casual resemblance to Chinese photographer Sze Tsung Leong’s images. A number of readers were unconvinced by my arguments and preferred to go with Burdeny’s explanation that the similarity came by happenstance. Others believed as [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<title>Azo and Company</title>
		<link>http://markpowerblog.com/2011/01/02/azo-and-company/</link>
		<comments>http://markpowerblog.com/2011/01/02/azo-and-company/#comments</comments>
		<pubDate>Sun, 02 Jan 2011 17:04:41 +0000</pubDate>
		<dc:creator>Mark Power</dc:creator>
				<category><![CDATA[On Photography ...]]></category>
		<category><![CDATA[Azo]]></category>
		<category><![CDATA[contact printing]]></category>
		<category><![CDATA[Illutrator's Special]]></category>
		<category><![CDATA[Kodak]]></category>
		<category><![CDATA[photo printing paper]]></category>
		<category><![CDATA[Velite]]></category>

		<guid isPermaLink="false">http://markpowerblog.com/?p=1370</guid>
		<description><![CDATA[My daughter very thoughtfully gave me a book for Christmas, “ How to make Good Pictures” put out by Eastman Kodak in the 50s, and curiously bearing no author’s name. In the darkroom section of this historical relic I came across a mention of Kodak’s Velite paper, a contact printing paper that apparently was so [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Miroslav Tichý</title>
		<link>http://markpowerblog.com/2010/12/21/miroslav-tichy/</link>
		<comments>http://markpowerblog.com/2010/12/21/miroslav-tichy/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 20:31:27 +0000</pubDate>
		<dc:creator>Mark Power</dc:creator>
				<category><![CDATA[On Photography ...]]></category>
		<category><![CDATA[Czech photography]]></category>
		<category><![CDATA[Miroslav Tichý]]></category>
		<category><![CDATA[outsider art]]></category>
		<category><![CDATA[Tichy]]></category>

		<guid isPermaLink="false">http://markpowerblog.com/?p=1344</guid>
		<description><![CDATA[You may have read about Miroslav Tichý on other photo blogs; in any event, he is a recluse from the Czech Republic, a trained artist, who in his old age has become better known for his furtive photography made with a home-made camera.     His photographs are almost invariably images of women; as  his [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
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		<title>Evolution or Devolution?</title>
		<link>http://markpowerblog.com/2010/04/25/evolution-or-devolution/</link>
		<comments>http://markpowerblog.com/2010/04/25/evolution-or-devolution/#comments</comments>
		<pubDate>Sun, 25 Apr 2010 20:22:04 +0000</pubDate>
		<dc:creator>Mark Power</dc:creator>
				<category><![CDATA[Cameras]]></category>
		<category><![CDATA[On Photography ...]]></category>
		<category><![CDATA[4x5 cameras]]></category>
		<category><![CDATA[Gowland]]></category>
		<category><![CDATA[Gowlandflex]]></category>
		<category><![CDATA[Graflex]]></category>
		<category><![CDATA[Lewis Hine]]></category>
		<category><![CDATA[Panasonic Lumix GF1]]></category>
		<category><![CDATA[Speed Graphic]]></category>
		<category><![CDATA[WeeGee]]></category>

		<guid isPermaLink="false">http://markpowerblog.com/?p=1193</guid>
		<description><![CDATA[It is through the camera that we first discover the optical unconscious, Just as we discover the instinctual unconscious through psychoanalysis. Moreover, these two types of unconscious are intimately linked. For in most cases, the diverse aspects of reality captured by the .. camera lie outside only the normal spectrum of sense impressions. Walter Benjamin [...]]]></description>
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		<slash:comments>3</slash:comments>
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